Twisted insane the insane asylum 2
A Clockwork Orange (1971) Malcolm McDowell stars as a violent gang member who endures psychological reprogramming that makes him become physically sick when confronted with violence. While unsuccessful upon its release, King of Hearts became a staple of “Midnight Movies” in the mid to late 1970s along with others films such as Pink Flamingos and The Rocky Horror Picture Show. While he tolerates their pageantry and his assumed role as the “king,” he frantically searches for a bomb that the Germans have rigged to go off and obliterate the town. But the town’s only remaining inhabitants are mental patients who’ve escaped from a local hospital, and they mistake him for the king. The King of Hearts (1967) King of Hearts is WWI and mental institution film.Īlan Bates stars as a British private who is sent to an abandoned French town during World War I to keep an eye out for encroaching enemies. Some of the film was actually shot at Camarillo State Mental Hospital in California. Olivia DeHavilland stars as a schizophrenic girl whose condition takes a turn for the worse once she is institutionalized. The film had such a tremendous effect that 13 states soon changed their laws regarding mental-health institutions.
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The novel, while a best-seller, was extremely controversial at the time because up until then, no one had any idea that mental asylums were hotbeds of abuse where patients were treated no better than animals. The book’s title refers to an ancient practice of throwing mental patients into pits filled with snakes, with the “reasoning” being that since such an experience would drive any normal person insane, throwing an insane person in a snake pit would have the opposite effect.
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Widely considered to be the first Hollywood film to deal seriously with the topic of mental illness, The Snake Pit is based on a novel by Mary Jane Ward about her own negative experiences in psychiatric institutions. Old Insane Asylum Movies The Snake Pit (1948) This is one of the first films to explore mental health care on the silver screen. The following films deal with the dual horror of being tormented by one’s own mind while being held captive in an institution where the workers seem hell-bent on ensuring that you never recover. Starting in the 1800s it widely became realized that mental institutions were hotbeds of abuse and sadism that would make a perfectly normal person insane.